An astounding work of passion and patience over one thousand hours in the making, Long Beach musician/composer Chris Schlarb
bestows his latest musical vision, Psychic Temple
, onto the world. Known for his work as half of the hypnotic, jazz/drone duo, I Heart Lung
, Schlarb’s latest work expands wildly in new directions, incorporating wordless vocal choirs, string quartets and horn sections into his 29-member ensemble.
Sounds Are Active
and sister label Asthmatic Kitty
have pooled their collective talents to put something beautiful into the world: the 2004 Sampler. Over over 74 minutes of music from these two unceasingly original record labels. The Asthmatic Kitty
“Side” features songs from Sufjan Stevens
’ first three albums, as well as three tracks from the unrelentingly joyous Half-Handed Cloud
. Songs by Liz Janes
and Viva Voce
round out the 11 tracks- 3 heretofore unreleased. The Sounds Are Active
“Side” teems with spastic new work from Melk The G6-49
. New and unreleased tracks from Soul-Junk
, Vla Hemia
and Create (!)
. Softer pieces contributed by Xn.
(featuring a slick remix from hip-hop producer supreme Omid
) and the brooding “Two Planes for Elliott Smith” by the Constantine/Levin/Phillips/Schlarb/Shadduck
A collection of five short ambient guitar pieces from Chris Schlarb
recorded in 1999 and released as a limited edition album totaling less than 10 minutes. Built around the unorthodox but simple sounds coaxed out of the electric guitar the original album was meant to be listened to repeatedly. After the limited release sold out, Schlarb contacted a number of different experimental, electronic and hip-hop artists to gauge interest in remixes and reinterpretations.
Xn.- Opening Up (SAA1112)
So called anti-guitar guitar music, Chris Schlarb
’s solo electric guitar project has brought forth its first fruit on the ambient/melodic/spatial axis. All pieces were recorded in one sitting (normally within a 2-3 hours each) and contain roughly five guitars as a kind of minimalist orchestra. Guitars take shape as birds singing, little explosions and thinking machines. With simple treatments and spare- but lush- arrangements these pieces are part of a concerted effort to approach the instrument of electric guitar as a guitar in name only. The album features unique interpretations of songs by Neil Young
(”Round & Round”) and Curtis Mayfield
(”People Get Ready”) as well as three original compositions. opening up is and album full of phasing harmonies and subtle warmth.